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        <title>In-Store Music Affects Product Choice</title>
        <author>Adrian C. North</author>
        <author>David J. Hargreaves</author>
        <author>Jennifer McKendrick</author>
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          <title>In-Store Music Affects Product Choice</title>
          <date>1997</date>
          <publisher>Nature</publisher>
          <idno type="DOI">10.1038/36484</idno>
          
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        <label>in-store music priming of product choice</label>
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        <label>Awareness was assessed only by questionnaire self-report, and the authors themselves doubt that this establishes shoppers were genuinely unaware of the influence.</label>
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        <label>Only two music conditions were compared; there was no silence control and no music from a non-wine-producing country, and individual differences and shopper indecision were not measured.</label>
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        <label>the French and German wines matched to each other on price and on dryness or sweetness</label>
        <note>eliminates: the music effect being a price or taste effect - if the wine of one country were cheaper or sweeter, the shopper would be following the wine and not the accordion · outcome (stated by the tagger, no quotation): held</note>
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        <label>musical `fit` - the paper&#x27;s central term, in scare quotes every time it appears and never defined except by its instances: French accordion music with French wine, German Bierkeller music with German wine. A relation between a stimulus and a product&#x27;s national origin, operationalised entirely by example</label>
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        <label>priming, as this paper uses it - a verb applied to a PURCHASE, not to a judgement or a reaction time: stereotypical music activates a knowledge structure concerning a country and thereby primes the selection of products from it. The primed thing is which bottle leaves the shop</label>
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        <label>unawareness, and the authors&#x27; refusal to claim it - only six of the shoppers said the music influenced their choice, and rather than treat that as unawareness established they write that it would be interesting to discover whether they were REALLY as unaware as their answers suggested. A field study declining the unconscious it is entitled to claim</label>
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        <label>in-store music —causes→ product choice</label>
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        <note>strength of the relation: 0.9 · note: The claim in the title, and the design that supports it is a fortnight of alternating days in a real supermarket with the shelf positions swapped halfway - so the effect is on bottles sold, not on stated intention.</note>
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        <note>direction on the measure: increases · strength of the relation: 0.85 · note: THE MECHANISM, and it is hedged twice in its own sentence - &#x27;may activate&#x27;, &#x27;suggesting how&#x27; - so it is offered as the available explanation rather than as something tested. The study measures the outcome, not the structure.
Audit 2026-09-28: DOUBTFUL - read against its full span and kept, but the span says musical pieces MAY activate knowledge structures, suggesting how music COULD influence choice; hedged.</note>
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        <label>stereotypically German music was expected to prime the choice of German wine</label>
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        <label>customers did not seem aware of the music&#x27;s effect on their choices</label>
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