In-Store Music Affects Product Choice — TEI-tagged view

Adrian C. North, David J. Hargreaves, Jennifer McKendrick · 1997 · marketing · doi:10.1038/36484 · full text at the source · TEI xml · tagged edition · index · concepts · authors
Where this record's text came from. faceted 2026-08 by reading the locally held text (pdftext); every evidence string verified as an exact substring of that text before merging. Claim relations is left empty on purpose: this Nature scientific-correspondence piece cites all prior work by bare superscript numerals (e.g. 'superordinate knowledge structures4', 'Research on music and consumer behaviour2,3'), never naming an author or work in the body text, so no relation can be anchored to named prior work without inference. The extracted file also contains an unrelated preceding Nature correspondence about oyster particle selection; nothing was quoted from it. Sample size (44 questionnaire respondents, 54% consent rate) and statistics appear only inside PDF-mangled strings such as '(P(cid:42)0.001)', so they were not quoted. 2026-08-17 and 2026-08-25 schema-0.3 passes: every quote verified as an exact substring of the staged text and anchored at merge time; concept terms verified present; every edge endpoint an existing node.
Some quotes on this page contain (cid:NN). The PDF this text was extracted from encodes 2 characters in a way that names no letter, so the extractor could not say what they were. The quotes keep them because a quote is reproduced exactly or it proves nothing — the marks are the source’s, not the tagging’s.
Other fields define these differently the same word, defined another way in another discipline
priming 2 fields
Tags on this paper every tag the record carries, whether or not the words occur in the text below — a number is how many papers in the corpus carry that tag; a tag with no number is unique to this paper
music priming2 product choice incidental cue2 superordinate knowledge structures in-store music musical subliminal5 behavioural-experiment117

Our tag layer for this paper

Priming analysis (Sivroni & Stark meta-disciplinary definition; cited to Sivroni et al. 2023)
Three characteristics: A · association S · secondariness M · modulation
P · primenational-character background music in a shop, incidental to buying
T · targeta product (wine) purchase
B · baselinepurchases under the other music condition
E · priming effectpurchases shift toward the country congruent with the music
A · associationcongruent (positive)
Cross-disciplinary analysis
content-tags & facets: phenomenon · claim-type · cross-domain-transfer · mechanism · claim-relation · replication-status · limitation — grounded in the full text
phenomenonin-store music priming of product choice— “Specific musical pieces may activate superordinate knowledge structures4, suggesting how in-store music could influence product choice.”
claim-typeexistence— “By investigating the purchasing of German and French wines we have found that musical ‘fit’ has a profound influence on product choice.”
method — evidence— “To test this, four French and four German wines were displayed in a supermarket drinks section.”
sensemusical `fit` - the paper's central term, in scare quotes every time it appears and never defined except by its instances: French accordion music with French wine, German Bierkeller music with German wine. A relation between a stimulus and a product's national origin, operationalised entirely by example
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
senses[0]
sensepriming, as this paper uses it - a verb applied to a PURCHASE, not to a judgement or a reaction time: stereotypical music activates a knowledge structure concerning a country and thereby primes the selection of products from it. The primed thing is which bottle leaves the shop
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
senses[1]
senseunawareness, and the authors' refusal to claim it - only six of the shoppers said the music influenced their choice, and rather than treat that as unawareness established they write that it would be interesting to discover whether they were REALLY as unaware as their answers suggested. A field study declining the unconscious it is entitled to claim
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
senses[2]
controlthe French and German wines matched to each other on price and on dryness or sweetness — held — rules out the music effect being a price or taste effect - if the wine of one country were cheaper or sweeter, the shopper would be following the wine and not the accordion
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
controls[0]
notein-store music —causes→ product choice — The claim in the title, and the design that supports it is a fortnight of alternating days in a real supermarket with the shelf positions swapped halfway - so the effect is on bottles sold, not on stated intention.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[0]
weightin-store music —causes→ product choice — 0.9
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[0]
auditsuperordinate knowledge structures —causes→ product choice — Audit 2026-09-28: DOUBTFUL - read against its full span and kept, but the span says musical pieces MAY activate knowledge structures, suggesting how music COULD influence choice; hedged.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[1]
effect directionsuperordinate knowledge structures —causes→ product choice — increases
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[1]
notesuperordinate knowledge structures —causes→ product choice — THE MECHANISM, and it is hedged twice in its own sentence - 'may activate', 'suggesting how' - so it is offered as the available explanation rather than as something tested. The study measures the outcome, not the structure.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[1]
weightsuperordinate knowledge structures —causes→ product choice — 0.85
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concept_edges[1]
outcome (stated by the tagger, no quotation)control — heldcontrols[0]
replicationuntested
limitationAwareness was assessed only by questionnaire self-report, and the authors themselves doubt that this establishes shoppers were genuinely unaware of the influence.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
limitations[0]
limitationOnly two music conditions were compared; there was no silence control and no music from a non-wine-producing country, and individual differences and shopper indecision were not measured.
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
limitations[1]
Content tags
content-observations: finding · quantity · variable · definition · key-term — grounded in the full text
findingstereotypically German music was expected to prime the choice of German wine
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
content_tags.findings[0]
evidence status notefinding — QUOTE RECOVERED FROM THE PAPER'S OWN CHARACTERS. The recorded quote was LETTERS-ONLY IDENTICAL to this stretch of the staged text but not an exact substring of it - spaces, hyphens, ligature glyphs or mathematical operators differed, so it could never anchor. This is the file's own text between the same two letters: not produced by a rule about the damage, copied out of the file. Round-trip checked (the recovered span is letters-only equal to the original) and length-checked. The text as originally recorded is kept in evidence as extracted.content_tags.findings[0]
findingcustomers did not seem aware of the music's effect on their choices
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
content_tags.findings[1]
key-termsmusic, wine, product, customers, choice, priming
Concepts
terms this paper carries, each with the sentence it was cut from — the layer that joins one paper to another. Terms with no quote yet are on CONCEPTS.html.
conceptproduct choice
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concepts[1]
conceptsuperordinate knowledge structures — not defined in this paper's own words; the mechanism the whole study rests on, borrowed and stated in one clause: a piece of music activates a body of knowledge about a country, and the product is selected from inside it
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concepts[3]
conceptin-store music — not defined in this paper's own words; the manipulation, and the paper's opening argument for studying it is commercial rather than theoretical: royalty payments for non-broadcast commercial use in one country in one year
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concepts[4]
conceptmusical — not defined in this paper's own words; the paper's own term for the relation between a piece of music and a product's origin, kept in scare quotes throughout - 'musical fit' - and never defined beyond the example
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concepts[5]
conceptsubliminal — not defined in this paper's own words; the neighbouring literature the authors invoke to CAUTION themselves rather than to claim support - the reason they decline to treat their own questionnaire as settling awareness
Quotation withheld — this paper is not ours to reproduce, and the page has already quoted as much of it as the rights layer allows. The tag, its field and its confidence stand; the sentence is at the publisher.
concepts[6]

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